Artist Profile :: Carol Ann O'Connor
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I was born in Warwickshire, England, and grew up in the
small village of Mancetter near Atherstone. In 1980 at the age of
twenty-two, I left England for a new life in Australia. Art has been
in my family for generations, and ever since I can remember it has
always been especially important to me. I have received no formal
training, but believe my art has grown and developed at each stage
of my life. Helping me to be the person I am, giving purpose and
core to my true-self. My career spans over 25 years, with a few
paintings sold in my early teens to family and friends. At 19 my
serious work began, with a wildlife gallery in Dartmoor England
taking 7 paintings, and selling all of them within the first week.
Royal Greetings Cards London took one of these, this then led to
further approaches by other fine-art printers. At first, the main
subject of my work was birds and small animals and I continued with
these on my arrival to Australia. I sold work through galleries and
shared exhibitions, and also produced some illustrations for
"Woman's Day" and "Woman's Weekly". |
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In 1983 I was commissioned by John Sands Greetings, to
produce 18 wildlife paintings to be used for greetings cards and
their 1985 Wildlife Calendar. In 1984, I moved from the eastern
states to Western Australia, and began to paint more of my spiritual
and fantasy work. In 1990 the department of Conservation and Land
Management commissioned me to paint the Noisy Scrub Bird. This was
purchased by the Western Australian Government to be presented to
His Royal Highness the Duke of Edinburgh, as an official token of
thanks for his influence in saving Two Peoples Bay (the natural
habitat of the bird) from development. A couple of years later the
painting was included in an exhibition at Windsor Castle as part of
a special exhibition from the private collection of the Duke of
Edinburgh. In 1998 I was commissioned by Kat Kards Greetings, to
produce a collection of paintings for greeting cards, and also
commissioned by C.A.L.M. to illustrate a children's book about the
Noisy Scrub Bird. The book was officially launched in November 1999.
Around September 1999, I received a new challenge, when knife maker
David Brodziak approached me in regards to applying my artwork to
his knives. I must admit, it is a challenge I thoroughly enjoy, and
feel the femininity of my paintings harmonizes well with the
masculinity of David's knives.
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I receive great satisfaction from all of my paintings. The
excitement of seeing an idea that develops in your mind, to be
transferred onto paper and take-on its own life, always gives me
that “thrill”. But it is my fantasy work that gives me
the most pleasure. Here there are no restraints upon my imagination,
I am only limited by what I am capable of doing. It is in this work,
you reveal more of your self. In picture form you depict thoughts,
emotions, ideas.....life.
I grew up in a small medieval town in England, but have spent most
of my adult years here in Australia. With my “medieval”
style paintings, I draw upon those years for inspiration. The
paintings are not meant to be historically correct, more a blend of
romance and legend. Costume is of no particular period, rather a
combination of softness, femininity and pure decoration. Their
settings and landscapes exist in my fantasy world, rather than the
real one. A piece of “image” held within a frame, where,
with just a little imagination, one can briefly live and escape the
boundaries of the world we live in.
Each painting is window-mounted before being framed. These mounts
are also painted with designs to compliment the painting, maybe
leaves and twisting vines or flowers and scrolls. I also incorporate
costume and antique jewellery, glass and crystal beads, to make each
painting truly unique.
In each painting I create, it is my hope that the love I feel for
the work I do will also be felt by the person who eventually owns
it. |
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